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Introduction to the Source

Digitized copies of these partbooks from the Bayerische Staatsbibliothek in Munich are available online here.

Introduction to the Text

The first printed songbook with songs primarily in German was printed in July 1512 by the Augsburg printer Erhard Oeglin (ca.1470-1520). The songbook consists of four part books – it is also the first German song collection with four voices throughout - and contains 49 songs with a mixture of spiritual and secular content, 43 of which are in German and 6 in Latin. Oeglin was an innovative printer, credited as one of the first printers to print musical notation using movable type and as one of the first printers of “Zeitungen” – news-sheets. Oeglin does not attribute any of the songs to particular composers but some of these songs do appear in other songbooks of this period where they are attributed to various composers active at the Imperial court, including Ludwig Senfl, Paul Hofhaimer and Heinrich Isaac. These songs are collectively known as tenor lieder, as the melody is usually carried by the tenor line. This was the prototypical song type in Germany at the turn of the sixteenth century and enjoyed particular prominence at the court of the Emperor Maximilian (1459-1519).

Further Reading

Saunders, Steven. “Music in Early Modern Germany.” Early Modern German Literature 1350-1700, edited by Max Reinhart, Camden House, 2007, pp. 653-698.

Keyl, Stephen. “Tenorlied, Discantlied, Polyphonic lied: Voices and instruments in German secular polyphony of the Renaissance.” Early Music, vol. 20, no. 3, 1992, pp. 434–445.

Credits

Transcription by Christopher Hutchinson, Translation by Christopher Hutchinson, Encoded in TEI P5 XML by Mae Velloso-Lyons, and Jordan Rosen-Kaplan, Translation reviewed by Björn Buschbeck, Edited by Mae Velloso-Lyons